My 2013 in review

I should take stock. Here I am winding down the hours of 2013. For the first time in my life, or since I was single any way, I’m invited to four New Year’s parties and one private New Year cocktail party with a BFF so I’ll probably hit the two parties and that one cocktail party.

But I feel a little melancholy. Maybe because my brother-in-law Dan had a stroke a week and a half or so ago and it really bummed me and the whole extended Jones family out. He’s an aces kind of guy — good listener and all. He’s recovering but has a long freakin’ haul. And I guess that’s the thing — no one’s promised another day. This is it. This day’s all we’ve got.

In 2013, I continued to draw life, energy, humor from my kids. What can I say? They drive me bananas but I like bananas. My husband also drives me bonkers. And I’m not as much a fan of bonkers as bananas. He got a bad deal with the Parkinson’s Disease and it’s slowing him down. When he asked the neurologist about the progression of his disease a couple of weeks ago, the doc basically said his progression is average.

Chris was diagnosed almost 11 years ago. It’s been a long time and continues to be a long downhill slide. That being said, I have a compulsive need to always mention him positively on this blog — in the event anyone who knows both of us reads this, so here goes: He continues to be a wonderful person — still very much into theater and cooking and family. He had a nice success in 2013 being featured on the radiolab podcast.

For myself, I also enjoyed some writing successes. The biggest deal was being featured in the Listen To Your Mother Show, a national reading by authors about mothers. We performed live on Mother’s Day at Symphony Space. My piece was funny and angry and honest. I loved performing again. The best part? I made some awesome new friends.

On the creative front, I’ve also been working on a novel that I’ve begun to show some people and the responses are pretty good. And I like it. It’s kind of like Breaking Bad for middle-aged mothers — angry, funny, and honest again! I want to add more sex scenes, but am overcome with embarrassment every time I try that. (And again, I’m very worried about people I know reading it and judging me!)

On this blog, I tried to systematize my posts and hit publish every Friday and Sunday, which helped me in the discipline department. I’ve loved posting pics and media on Pinterest, Tumblr, Instagram, and Facebook too!

For paid work, I’ve had some nice successes. But I’ll post more about that in the new year. I’ve got a couple of new things brewing. But I’ve got to run now — put on some lipstick and dress up for a night out.

So let me shake off this melancholy and shake the champagne bottle. Here’s to 2014!

***

Here’s the WordPress.com 2013 annual report for my – MBCoudal blog.

Here’s an excerpt:

This blog was viewed about 14,000 times in 2013.

Click here to see the complete report.

20131231-175646.jpgHere we are at a sushi restaurant in Montreal a few days ago! So cold!

20131231-175736.jpgThis was after our 5K run on Thanksgiving Day. I considered doing the New Year’s Central Park run tonite, but it’s too damned cold.

I blog about happiness and honesty

When I started blogging, I had four blogs:

  • My Beautiful New York, my NYC people and places
  • Running Aground, my goal to run a 5K
  • the Connected Life, getting my kids off technology
  • A Church A Day, on trying to find meaning by visiting a church a day.

Now they’re all rolled into one (thanks to web developer extraordinaire Felicity Fields). This one, To Pursue Happiness, is about those four goals and the primary goal: to stay happy.

I pursue happiness though I may have absolutely no reason or right.

I feel a loss that my kids are growing up at lightning speed. I feel a sadness that my husband is increasingly challenged by his Parkinson’s Disease.

While these are challenges, they don’t define me. I don’t have to enter or stay in a place of permanent sadness or loss. Life is about what you do with the hand of cards you’re dealt. And I’m dealing.

I’m thriving. I’m staying honest. I’m finding joy. Two great joys in the last couple of weeks were:

Curtain call at the Listen To Your Mother show
Curtain call at the Listen To Your Mother show
  • As a cast member of Listen To Your Mother at Symphony Space
  • As the leader of Artists’ and Writers’ weekend in the Adirondacks.

I was anxious about how these would turn out. Would I deliver the goods? Could I? I did!

In these forums, I could be honest, funny, and surprising.

I could write about and share a lot of feelings, including but not limited to sadness or happiness. A range of emotions, even ambivalence and anger, is acceptable and encouraged in my writing.

So while I still do feel, at times, lost, I can find myself through writing and in the company of other women writers. That’s how I pursue happiness.

***

from LTYM
Before the Listen To Your Mother show, the cast warmed up. And that’s Shari Simpson-Cabelin, assistant director, doubled-over, laughing. (I’m in the white pants.) (Photos by Jennifer Lee)

At last week’s Listen To Your Mother show, I was reminded that I am not alone. There are a lot of women telling their truths, deep stories about hardship and love.

Here are some of the Listen To Your Mother (LTYM) New York City posts from my fellow cast members.

Thanks to Shari’s blog for compiling these so I could repurpose! And thanks to producer Holly Rosen Fink, a steady presence, who made this show such a hit.

I got to work with the fab director Amy Wilson, who blogged on motherhood conspiring against her, even as she put on a show.

Here are more stories from the Mother’s Day show.

  • Co-producer Varda Steinhardt‘s piece was about tracking the orbit of her sons’ stars. 
  • Marinka received the dreaded call from the nurse’s office, It’s Always Bad News.
  • Kim Forde, 8 and 1/2 month pregnant, read Welcome To The Circus, a guide to the family circus.
  • Elizabeth (Kizz) Robinson wrote About Me, on how to be child-free and loving.

I haven’t posted my story yet. I want it to be a surprise.

Over the summer, you can see the show at the Listen To Your Mother YouTube channel. There will be videos from all 24 shows across the country, some still going on. Also, upcoming are professional photos of our NYC show by the awesome Jennifer Lee.

***

At my Adirondack retreat and at my LTYM show, I heard a lot of stories that make me go, “aww” – and I feel in the company of AWW — Awesome Women Writers.

Through relentless honesty, these women writers (and one guy) make it okay to be honest and to tell my story too.

***

Artists’ and Writers’ Weekend

I had an awesome weekend. I am writing this from the southbound Amtrak from Westport, NY to New York City. I am so high and grateful for the time to simply write and make art. I’m so happy about my (and Kelly Wallace’s) business, Boot Camp for Writers or Writers Boot Camp East and West, or whatever the hell we call it.

I’ve been offering writing workshops — sporadic, weekly, or weekend-long – since August ‘12. This weekend, May 16-19, the workshop was held at Skenewood, the Georgian manor house owned by my husband’s family on Lake Champlain, five hours north of New York City.

As in any adventure tale, this weekend had suspense, characters, details, and setting.

Suspense

Whether this weekend was going to go was a mystery. A week ago, after I came down from the high of being in the cast of Listen To Your Mother, a collective of New York city writers at Symphony Space, I wondered whether to offer the weekend retreat. The turn out was so small that I couldn’t foresee breaking even. But my passion for helping writers is bigger than my desire to make a buck (I know, I know. I have to work on this!).

My goal as a writing teacher is to make writers, skill writers up, and build their confidence.

So what if we were a smallish group? Fewer people meant fewer people to please and less dishes to do.

Characters

Every story needs some sympathetic characters. And my workshop crew — Rashida, Kathryn, Lena, Joanna —  was totally fantastic. They offered so much, so much artistry, integrity, skill.

We began on Thursday night with a candlit dinner in the dining room. On Friday we wrote in the morning, walked and made art in the afternoon. Late afternoon we hung out at Ted Cornell’s amazing art farm, populated by massive sculptures, oil paintings, Adirondack charm, intellect.

On Friday night, I invited a handful of local authors and folks to our evening salon. Several — Dan McCormick, Scott Gibbs, and Lindsay Pontius – joined us. The last two read some of their work. Brilliant. And we retreatants read some of our stuff or shared our book journals. Joanna Parson rocked us out with some guitar.

Details

On Friday and Saturday afternoons on the table in the children’s dining room, we spread images and words cut out from books, newspapers, or magazines. With Rashida Craddock’s and Kathryn Cramer’s guidance, we made collages and covers for our journals.

I got in the zone, getting lost in the details of visual art and print. Totally inspiring. I made a half dozen pages of my crazy art journal that I’ve been working on for a year.

Without diving too deeply into the waters of our writing, I can tell you we wrote about parents, grandparents, children, relationships, theater, and more. Some of our work was fiction and some non-fiction and some blurred the boundaries.

Setting

I slept so heavily over the weekend. Maybe it’s the fresh air or just the big house wrapping its arms around me.

I think the house likes it when a nice group settles in. Words fail me when I try to write about the feelings of being at Skenewood – because there are so many feelings, and so many smells and sounds.

Like the smell of the lilac bush.

Or the smell and feel of the earthy damp basement when I go barefooted for raspberry jam.

Or the crack of dry wood in the fireplace.

Thanks

The talent of my friends is not limited to words and music and art. Some of my friends are artisans with food. Thanks especially to Carolyn Ware of Ernie’s and David and Cynthia Johnston at DaCy Meadows Farm.

And Edward Cornell for the visit to the Art Farm. And Michelle Maron for the soothing, restorative morning yoga.

The thing about a literary journey is that the hero ends up in a different place than the one she set out for. But the journey makes her stronger or wiser. And that is the case with this weekend.

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Four of the five of us: Rashida, Lena, Joanna, Me
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A visit to Ted Cornell’s art farm
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We contemplated the beach.
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At the apple orchard near Kathryn’s house
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Making art journals in the children’s dining room
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with Ted on his art farm

Tomorrow’s the Big Day

I’m going to be performing in front of hundreds of people at the Listen To Your Mother show in NYC, 5 pm, Sunday, 5/12, at Symphony Space on Broadway at 95th.

listenI gotta tell you, I’m very nervous.

One part of me knows I’ll be great.

Another part of me feels like apologizing for my story in the show — it’s a small story about a small moment. It’s nothing big, nothing earth-shattering, nothing out of the ordinary. Sure, I could’ve plumbed the depths of my soul (could I?); instead, I chose a story about taking out the trash with my surly teen.

So I’m inclined to say, “Awww, P’shaw! My story? Me? We’re not that important.”

But wait! I must remember my advice to myself. When I used to do stand up, right before I went on, while nursing a diet coke at the bar, I’d psyche myself up by telling myself these three things:

  1. Be yourself
  2. Have fun
  3. It is important

These three rules seemed to make a positive difference in my performance. Also, I received precious advice from Eddie Brill who told me, way back when: “Never apologize in your stand up act!” That was great advice! It turns out that audiences don’t trust or appreciate apologists!

The truth is that I love the truth. I love hearing truths about motherhood — good, bad, and indifferent truths. Extraordinary and ordinary truths.

I love that I am someone who loves the truth. Because too much of my mothering and my life is spent putting up a good appearance and trying to keep up with the Joneses 🙂

So the fact that I am invited to tell my truth along with a bunch of other truth-tellers, well, it’s just icing on the cake of my life.

Lintault quilt
When I saw this quilt, I thought it was as beautiful as any Michelangelo oil painting. I saw the quilt by Joan Lintault at the Shelburne Museum in Vermont.

Do I think the other writers have bigger truths? Maybe. But it’s not a competition. It’s a collaboration. And each square of the quilt makes for a beautiful pattern. Some of fabric is flowery, some plaid, some embroidered, some plain. Each story, each piece, makes up this crazy quilt.

When we tell our stories, we make room for even more truth. And, as the saying goes, the truth will set you free.

This Listen To Your Mother show is not a  show for or about perfect mothers. It is not about pretty mothers like Stepford wives. If you’re looking for that, look in the Mother’s Day aisle for a Hallmark card. (Although I’m pretty sure Hallmarks’s marketing strategy has turned towards a more honest appraisal of motherhood as well.)

In this show we laugh and cry over our real truths. And in these truths, the writers have made art, found freedom, and even, perhaps, woven together a new kind of patchwork quilt, more beautiful together than we could ever have been on our own.

I am honored to bring my piece to the show.

I am just going to show up; have fun; be myself; and remember, it IS important.

This post was inspired by the the daily post prompt: “We each have many types of love …Is there a single idea or definition that runs through all the varieties of ‘love’?”

Thanks to director Amy Wilson, producers Varda Steinhardt and Holly Rosen Fink, and assistant director Shari Simpson for weaving me into the show.

And thanks to the rest of the cast, truth-tellers and artists all: Barbara Patrick, DeBorah “Momma D” Gray, Jaime Fernandez, Kim FordeKizz Robinson, Laura Pruden, Marinka, Nicole Goodwin, Nivea CastroRebecca Land Soodak,Sandy Rustin, Sasha Schreiner, Shari SimpsonSofia QuinteroStacy Morrison, Susan Buttenwieser,Tracy Beckerman, and Virginia Watkins.

Listen To Your Mother — Again!

I used to audition a lot. That was back when I was in my early 30’s. I had a little cable TV show and a commercial agent who sent me on a ton of casting calls. I landed a few callbacks and a few international spots, but my acting career never really took off.

Maybe I lacked confidence or maybe I was slightly more quirky than super model-y. It didn’t matter, I told myself. I’m a writer first and I’ve got meaningful work. Besides that, in my mid-30s, I hit my stride when I discovered my life’s purpose: to be a mother to Hayden, Charlotte and Catherine.

badge-2013So last year, when my Aunt Ellen, (the poet Ellen Wade Beals) recommended that I audition for the Listen To Your Mother show, I figured maybe now I’ve got a shot. I’m wiser and more confident. I’ve got a lot of funny essays about parenting. I can do this.

At the audition last year, I read a really good piece of writing — a story about dropping Hayden off at Camp Dudley. My essay was so funny and touching. (See what I mean: I have more confidence.)

When I read the Camp Dudley essay to the several women who were holding the auditions, I detected one (Holly, maybe?) had a tear in her eye.

“I nailed it,” I thought. “I’ve got it! I might still be a successful performer as well as mother, blogger, wife, sister, teacher, worker, etc. Wow! It’s great to be alive!”

But I didn’t get it last year — despite the excrutiating beauty of that little gem of writing. So this year, when I got an email alert about the 2013 auditions for Listen To Your Mother, I brought in a piece of writing, slightly above average, about a tricky little bit of mothering and taking out the garbage with my son.

I was the last to audition. There were dozens of people who’d gone through the audition door ahead of me that Sunday afternoon.

Through the door, I could tell that the guy in the room just before me was really really good. I sat outside, getting nervous. The room was full of laughter as he left.

I recognized the women behind the table from last year, including Holly. But I felt no ill will towards them, just my inevitable lack of success.

I felt insecure. I think I made small talk, something like, “Wow! That guy who was just in here sounded really funny! I don’t know if you remember me. I auditioned last year and I heard the show was really good!”

Me and Kim Forde listening to rehearsal the other night (photo by fellow cast member Elizabeth Robinson).
Me and Kim Forde listening to rehearsal the other night (photo by fellow cast member Elizabeth Robinson).

I read my piece, stumbling in a few places. I did not feel confident as I walked out the door. After all, the year before, when I had felt confident? Nada.

So I was surprised, no, I was ecstatic, when, like a week later, I got a call from Amy that I was invited to be in the cast.

I don’t know if my piece is any good, but the show is really really good. And that guy who went in ahead of me, Jamie Fernandez, he’s in the show too and he is really really funny. The brief stories about mothering and mothers are funny, sad, scary, true, and lovely.

But don’t listen to me. I am not a good judge of my own writing. This Sunday, Mother’s Day, come to Symphony Space. Tell me what you think. We’ll have a drink at the Thalia.

NYC tickets support this cause: Family to Family

And thanks Elizabeth for getting this list of links together!