Category: creativity

Artists’ and Writers’ Weekend

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I had an awesome weekend. I am writing this from the southbound Amtrak from Westport, NY to New York City. I am so high and grateful for the time to simply write and make art. I’m so happy about my (and Kelly Wallace’s) business, Boot Camp for Writers or Writers Boot Camp East and West, or whatever the hell we call it.

I’ve been offering writing workshops — sporadic, weekly, or weekend-long – since August ‘12. This weekend, May 16-19, the workshop was held at Skenewood, the Georgian manor house owned by my husband’s family on Lake Champlain, five hours north of New York City.

As in any adventure tale, this weekend had suspense, characters, details, and setting.

Suspense

Whether this weekend was going to go was a mystery. A week ago, after I came down from the high of being in the cast of Listen To Your Mother, a collective of New York city writers at Symphony Space, I wondered whether to offer the weekend retreat. The turn out was so small that I couldn’t foresee breaking even. But my passion for helping writers is bigger than my desire to make a buck (I know, I know. I have to work on this!).

My goal as a writing teacher is to make writers, skill writers up, and build their confidence.

So what if we were a smallish group? Fewer people meant fewer people to please and less dishes to do.

Characters

Every story needs some sympathetic characters. And my workshop crew — Rashida, Kathryn, Lena, Joanna —  was totally fantastic. They offered so much, so much artistry, integrity, skill.

We began on Thursday night with a candlit dinner in the dining room. On Friday we wrote in the morning, walked and made art in the afternoon. Late afternoon we hung out at Ted Cornell’s amazing art farm, populated by massive sculptures, oil paintings, Adirondack charm, intellect.

On Friday night, I invited a handful of local authors and folks to our evening salon. Several — Dan McCormick, Scott Gibbs, and Lindsay Pontius – joined us. The last two read some of their work. Brilliant. And we retreatants read some of our stuff or shared our book journals. Joanna Parson rocked us out with some guitar.

Details

On Friday and Saturday afternoons on the table in the children’s dining room, we spread images and words cut out from books, newspapers, or magazines. With Rashida Craddock’s and Kathryn Cramer’s guidance, we made collages and covers for our journals.

I got in the zone, getting lost in the details of visual art and print. Totally inspiring. I made a half dozen pages of my crazy art journal that I’ve been working on for a year.

Without diving too deeply into the waters of our writing, I can tell you we wrote about parents, grandparents, children, relationships, theater, and more. Some of our work was fiction and some non-fiction and some blurred the boundaries.

Setting

I slept so heavily over the weekend. Maybe it’s the fresh air or just the big house wrapping its arms around me.

I think the house likes it when a nice group settles in. Words fail me when I try to write about the feelings of being at Skenewood – because there are so many feelings, and so many smells and sounds.

Like the smell of the lilac bush.

Or the smell and feel of the earthy damp basement when I go barefooted for raspberry jam.

Or the crack of dry wood in the fireplace.

Thanks

The talent of my friends is not limited to words and music and art. Some of my friends are artisans with food. Thanks especially to Carolyn Ware of Ernie’s and David and Cynthia Johnston at DaCy Meadows Farm.

And Edward Cornell for the visit to the Art Farm. And Michelle Maron for the soothing, restorative morning yoga.

The thing about a literary journey is that the hero ends up in a different place than the one she set out for. But the journey makes her stronger or wiser. And that is the case with this weekend.

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Four of the five of us: Rashida, Lena, Joanna, Me
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A visit to Ted Cornell’s art farm
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We contemplated the beach.
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At the apple orchard near Kathryn’s house
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Making art journals in the children’s dining room
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with Ted on his art farm
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Tomorrow’s the Big Day

Published on by mbcoudal8 Comments

I’m going to be performing in front of hundreds of people at the Listen To Your Mother show in NYC, 5 pm, Sunday, 5/12, at Symphony Space on Broadway at 95th.

listenI gotta tell you, I’m very nervous.

One part of me knows I’ll be great.

Another part of me feels like apologizing for my story in the show — it’s a small story about a small moment. It’s nothing big, nothing earth-shattering, nothing out of the ordinary. Sure, I could’ve plumbed the depths of my soul (could I?); instead, I chose a story about taking out the trash with my surly teen.

So I’m inclined to say, “Awww, P’shaw! My story? Me? We’re not that important.”

But wait! I must remember my advice to myself. When I used to do stand up, right before I went on, while nursing a diet coke at the bar, I’d psyche myself up by telling myself these three things:

  1. Be yourself
  2. Have fun
  3. It is important

These three rules seemed to make a positive difference in my performance. Also, I received precious advice from Eddie Brill who told me, way back when: “Never apologize in your stand up act!” That was great advice! It turns out that audiences don’t trust or appreciate apologists!

The truth is that I love the truth. I love hearing truths about motherhood — good, bad, and indifferent truths. Extraordinary and ordinary truths.

I love that I am someone who loves the truth. Because too much of my mothering and my life is spent putting up a good appearance and trying to keep up with the Joneses 🙂

So the fact that I am invited to tell my truth along with a bunch of other truth-tellers, well, it’s just icing on the cake of my life.

Lintault quilt
When I saw this quilt, I thought it was as beautiful as any Michelangelo oil painting. I saw the quilt by Joan Lintault at the Shelburne Museum in Vermont.

Do I think the other writers have bigger truths? Maybe. But it’s not a competition. It’s a collaboration. And each square of the quilt makes for a beautiful pattern. Some of fabric is flowery, some plaid, some embroidered, some plain. Each story, each piece, makes up this crazy quilt.

When we tell our stories, we make room for even more truth. And, as the saying goes, the truth will set you free.

This Listen To Your Mother show is not a  show for or about perfect mothers. It is not about pretty mothers like Stepford wives. If you’re looking for that, look in the Mother’s Day aisle for a Hallmark card. (Although I’m pretty sure Hallmarks’s marketing strategy has turned towards a more honest appraisal of motherhood as well.)

In this show we laugh and cry over our real truths. And in these truths, the writers have made art, found freedom, and even, perhaps, woven together a new kind of patchwork quilt, more beautiful together than we could ever have been on our own.

I am honored to bring my piece to the show.

I am just going to show up; have fun; be myself; and remember, it IS important.

This post was inspired by the the daily post prompt: “We each have many types of love …Is there a single idea or definition that runs through all the varieties of ‘love’?”

Thanks to director Amy Wilson, producers Varda Steinhardt and Holly Rosen Fink, and assistant director Shari Simpson for weaving me into the show.

And thanks to the rest of the cast, truth-tellers and artists all: Barbara Patrick, DeBorah “Momma D” Gray, Jaime Fernandez, Kim Forde, Kizz Robinson, Laura Pruden, Marinka, Nicole Goodwin, Nivea Castro, Rebecca Land Soodak,Sandy Rustin, Sasha Schreiner, Shari Simpson, Sofia Quintero, Stacy Morrison, Susan Buttenwieser,Tracy Beckerman, and Virginia Watkins.

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Listen To Your Mother — Again!

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I used to audition a lot. That was back when I was in my early 30’s. I had a little cable TV show and a commercial agent who sent me on a ton of casting calls. I landed a few callbacks and a few international spots, but my acting career never really took off.

Maybe I lacked confidence or maybe I was slightly more quirky than super model-y. It didn’t matter, I told myself. I’m a writer first and I’ve got meaningful work. Besides that, in my mid-30s, I hit my stride when I discovered my life’s purpose: to be a mother to Hayden, Charlotte and Catherine.

badge-2013So last year, when my Aunt Ellen, (the poet Ellen Wade Beals) recommended that I audition for the Listen To Your Mother show, I figured maybe now I’ve got a shot. I’m wiser and more confident. I’ve got a lot of funny essays about parenting. I can do this.

At the audition last year, I read a really good piece of writing — a story about dropping Hayden off at Camp Dudley. My essay was so funny and touching. (See what I mean: I have more confidence.)

When I read the Camp Dudley essay to the several women who were holding the auditions, I detected one (Holly, maybe?) had a tear in her eye.

“I nailed it,” I thought. “I’ve got it! I might still be a successful performer as well as mother, blogger, wife, sister, teacher, worker, etc. Wow! It’s great to be alive!”

But I didn’t get it last year — despite the excrutiating beauty of that little gem of writing. So this year, when I got an email alert about the 2013 auditions for Listen To Your Mother, I brought in a piece of writing, slightly above average, about a tricky little bit of mothering and taking out the garbage with my son.

I was the last to audition. There were dozens of people who’d gone through the audition door ahead of me that Sunday afternoon.

Through the door, I could tell that the guy in the room just before me was really really good. I sat outside, getting nervous. The room was full of laughter as he left.

I recognized the women behind the table from last year, including Holly. But I felt no ill will towards them, just my inevitable lack of success.

I felt insecure. I think I made small talk, something like, “Wow! That guy who was just in here sounded really funny! I don’t know if you remember me. I auditioned last year and I heard the show was really good!”

Me and Kim Forde listening to rehearsal the other night (photo by fellow cast member Elizabeth Robinson).
Me and Kim Forde listening to rehearsal the other night (photo by fellow cast member Elizabeth Robinson).

I read my piece, stumbling in a few places. I did not feel confident as I walked out the door. After all, the year before, when I had felt confident? Nada.

So I was surprised, no, I was ecstatic, when, like a week later, I got a call from Amy that I was invited to be in the cast.

I don’t know if my piece is any good, but the show is really really good. And that guy who went in ahead of me, Jamie Fernandez, he’s in the show too and he is really really funny. The brief stories about mothering and mothers are funny, sad, scary, true, and lovely.

But don’t listen to me. I am not a good judge of my own writing. This Sunday, Mother’s Day, come to Symphony Space. Tell me what you think. We’ll have a drink at the Thalia.

Now is your chance to: Listen To Your Mother at Symphony Space

Come see the show! May 12, 2013 at 5pm! ($25/$30)

NYC tickets support this cause: Family to Family

And thanks Elizabeth for getting this list of links together!

Peter and the Starcatcher

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When our daughters were little, they always wanted to hear a bedNIGHT story. Of course, they meant a bedTIME story but I dared not correct them. It was one of their charming childhood malapropisms. Chris and I would tell them stories until they entered the magic of their dreams.

(courtesy of Peter and the Starcatcher)
(courtesy of Peter and the Starcatcher)

And if you are like them — and like me and Chris — sometimes still, you want and need a good new bednight story, and so I suggest, little one, that you take yourself to see Peter and the Starcatcher. (Though for some reason I keep calling it Peter and the Dreamcatcher! A penchant for malapropisms may be genetic!)

Whatever you call it — Oh. So. Good.

I was bummed when it closed on Broadway. More than a few of my friends told me that I’d like it. But it’s not always easy for me to get to see everything I want in New York City. Though God knows, I try.

Once in a while, I get a reprieve. While it closed on Broadway in January, it reopened a few blocks away in at New World Stages with much of the same cast and in the same amazing production.

Score.

I don’t know how to summarize the show’s many themes — It is about how to grow up; how children are wiser than adults; how believing in one another is never wrong; how music and comedy make magic; how letting go is part of what you do when you love.

Children can fly (one of my darlings at the swimming hole in the Adirondacks).
Children can fly (one of my darlings at the swimming hole in the Adirondacks).

My favorite recurring theme was taught by the girl Molly. Here is her secret to good leadership: a leader looks out for her tribe. Molly taught this to the boy who became Peter. Molly, played by Nicole Lowrance, is the only girl in the show. She’s so good.

Molly has to be sister, friend, love interest, and, of course, mother to the orphan boys.

But she is not the kind of mother or leader who scolds needlessly, (although she does scold).

She is the kind of mother who finds magic in stories. She’s the kind of mother who soothes scared nerves by suggesting a running race. Molly’s a playful leader.

She knows that to save the day, a leader must:

  • be creative
  • be open-minded
  • be brave
  • be empathetic
  • be funny.

I found a new heroine and her name is Molly! Molly is the starcatcher.

The musical shows how theater is a collaborative art. And there are many times when the antics reminded me of the joy of improv comedy, but the show only looks seat-of-the-pants hilarious. The action is all orchestrated. (Brilliant brilliant directors Roger Rees and Alex Timbers! And my old chum Wayne Barker — brilliant, brilliant — did the music! Funny. Funny!)

It’s a physical show where the leads play doors and walls and mermen.

The words are witty and the physical shenanigans are hilarious. At one point I was laughing so hard I was crying. And then at another point, I noticed that Chris was weeping.

I think his tears came from the place of nostalgia for we miss the nights when our darlings were still little enough to climb on our laps and beg for one more bednight story.

Ah well. We can always take them to see this show. And even if you’re not in NYC, you can see it too, as it’s touring this year, starting in August 2013.

The show is at New World Stages, 340 West 50th.

Order tickets at: PeterandtheStarcatcher.com

Related Stories

Girls can be pirates too. Empowering girls.

Sandy’s post about taking her 7-year old son to Peter and the Starcatcher

Diane’s post and a backstage tour!

Thanks to CultureMomMedia.com for the tickets. All thoughts (and memories of bednight stories) are my own. 

Snuggling through Jekyll and Hyde

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I took one of my favorite dates, my 16-year old son, to see Jekyll & Hyde. Whenever the show got the tiniest bit ballad-y, I felt his bony head on my shoulder. Awwww, how sweet! Where else can a mother snuggle with her teenage boy except at a Broadway show?

My son’s favorite part  was the moment when Jekyll exploded with emotion at the portrait of himself.  There are projected fireballs which I think probably reminded my son of his favorite date, his Call of Duty Xbox game.

That scene is towards the end of the musical when Jekyll faces his evil incarnation, Hyde. I love stories where psychological aspects of a character or personality are played out. But this musical is not a study in the psychology of multiple personalities, it is a study in singing.

Side note: the young woman in front of us, who we eavesdropped on, was an expert on Jekyll & Hyde productions. (According to the cast whom we met before the show at a swank brunch, these Jekyll & Hyde groupies are called Jekkies (like Trekkies! Funny, no?)) This Jekkie liked the scene better when the actor talked in two voices to himself,  à la Sybil. We liked it this way though. Explosions!

Constantine Mouralis as Dr. Jekyll (See what I mean? He's Fisher Stevens!) Photo courtesy of Jekyll and Hyde.
Constantine Mouralis as Dr. Jekyll (See what I mean? He’s Fisher Stevens!) Photo courtesy of Jekyll and Hyde.

Okay, onto the actors! I noticed early on that Constantine Maroulis reminded me of Fisher Stevens and I couldn’t shake that separated-at-birth association. Hey, lots of women found Fisher Stevens sexy, right? Michelle Pfeiffer, for one. I remember seeing Constantine on American Idol, I thought, Wow! This guy can sing! And emote! And woo you with his passion.

And you will think that too, especially when he sings, “This is the moment!” A show stopper! The dude has it, even if, in his Dr. Jekyll character, he does remind you of Fisher Stevens.

So, onto the women.

If the two aspects of a male are kindly doctor and wicked psychopath, the two aspects of a female, are — yes, you guessed it — virgin and whore.

Deborah Cox, a class act, sings "Bring on the Men." (only slightly uncomfortable to watch with your teenager!)
Deborah Cox, a class act, sings “Bring on the Men.” (only slightly uncomfortable to watch with your teenager!) Photo courtesy of Jekyll & Hyde.

However, the two women playing these two archtypes never let their acting or singing stoop to cliche. They were even better than their male counterparts in the arts of  wooing, emoting, singing! Deborah Cox as the good-hearted whore, Lucy, was OMG! She made a cartoon character complex, human, sympathetic. And  Teal Wicks was not a simpleton virgin, but a smart and sophisticated Victorian.

The supporting actors were all delicious. I could eat them up. I especially loved Jason Wooten and Blair Ross. I was sorry when their wicked, wicked ways had to come to an end. My son especially could not stop talking about how the bishop met his fate.

I think there’s something in this show for you, even if you don’t have a teenager or a crush on Fisher Stevens.

Disclaimer: Thanks to Jekyll and Hyde and the Serino/Coyne group for the tickets and the brunch. The opinions on this blog are always my own.

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Laird Mackintosh, Deborah Cox, and my date at Jekyll & Hyde
Broadway show
Jason Wooten and me at the pre-show brunch.

Washington Square Park

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flowers
What’s not to love about springtime in the Village? Washington Square Park is looking fine.
the arch
Washington Square Park looks better than ever, much better than when I attended NYU. Tulips bloom.
Caffe Reggio
There’s cappuccino at the cafe.
This is inside Caffe Reggio, an 80-year old cafe on MacDougal Street.
This is inside Caffe Reggio, an 80-year old cafe on MacDougal Street.
chess in the park
And it’s a perfect day to hang out, read, or play chess in the park.

Don’t let fear win

Published on by mbcoudal6 Comments

So some cowards want me to be afraid. But I’m not going to do it. I’m not going to take up their fear. I’m going to keep loving people. I’m going to keep loving strangers even. Just because some idiots want me to be afraid, doesn’t mean that I have to. If fear is contagious, then so is kindness and hope. Sometimes hope is a harder mountain to climb, but I like a challenge.

I know it’s natural to catch the contagion of fear. It’s human. I may feel the fear but I won’t let it poison me.

I’ve been here before. After 9/11, I felt the collective fear. At that time, I’d wake in the morning and wonder if it was all a bad dream. Or I’d lay there and just wish that years would pass quickly so that the tragedy would be only a mild ache instead of a a pervasive pain.

And yesterday, I felt that poisoning pain again.

Still. I’m not buying fear. Instead, I’m buying the instinctive hope of the people who rushed to help. I’m buying the hugs and calls of loved ones checking in on each other.

I will always remember the line, blocks and blocks long, of people who wanted to donate blood to Red Cross after 9/11. Millions more people wanted to help than hurt one another.

Healing, like creating, is hard work. It takes a minute to destroy and years to rebuild. Still, I’d rather be in the business of rebuilding: lives, loves, hope.

Living with someone who’s chronically ill, I live with fear and worry. Parkinson’s Disease has challenged my husband, affected his posture, his walking and more. But I’m not going to let Parkinson’s win either. I’m not going to let a fairly inevitable trajectory of decline ruin my hope for him or for my family. Not today. I have hope today that from the ashes come some sort of new life and some inevitable spring.

I am going to hug my darlings close, write, teach, try to make my small corner of the world a little better than I found it. That’s what I’m doing today. And then tomorrow, I’m going to get up and do it all over again.

Because fear doesn’t win. Love wins.

In times of stress, I know I have to:

  • Connect with friends and family more
  • Work out more
  • Do more self care
  • Eat and sleep well

How do you cope?

at Harvard
Last month the kids and I visited Cambridge and Boston.

Is the Pope Better Than You and Me?

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At a disco party in the early ’80s, I snorted something and my heart raced, pounding like it was going to beat right out of my chest. I prayed to God, “Please God, let me live. I will never do that again! Let me get beyond this moment and if I do, I will be good. For the rest of my life, I will be good, God.”

I don’t know if it was at that exact moment but at some point in my life, I decided to be good. I prayed to God to be good. It was my trajectory. After all, as a girl growing up in a big Catholic family, I put stock in goodness.

Yesterday, I saw the movie, Oz the Great and Powerful. There is a theme in that movie about being good and doing good. About how pursuing the good is better than being a great man. And, of course, there is the theme that people need a leader to whom they can project their hopes onto.

And I think about these things as the world wonders about the next pope. Does he pursue good? Or simply greatness?

Is he better than average? Is he holier than you and me?

I wonder why good people don’t get ahead or to the top of institutions. Having worked for a church bureaucracy for years, I’ve noticed that church leadership values intelligence. Perhaps only colleges or universities value intelligence more than religious organizations. But just because you’re smart, does that mean you are holy? Or kind? Or Christ-like? Or have an attitude of servant leadership towards the world?

I bet the new pope is smart, probably smarter than me, and probably more diplomatic too. But does that make him good? He probably knows the bible better than me. But has he held hands with the sick or dying? Has he helped people who feel alone to become a part of a community? Has he loved the poor? I am good, but I am not always that good.

This I know: the greatest saints were the worst sinners. I hope this pope smoked or snorted something he shouldn’t have. I hope he had a revelation when he thought he was dying, like I did; and I hope he then dedicated his life to being and doing good. And I hope he is like Oz, not all that great and powerful after all, but simply a good man. He is, like me and like you, someone who is human, has made mistakes and now has stories to tell.

I want to be inspired by someone who is more than an intellectual, a bible expert, a magician or a diplomat. I want to be inspired by someone who is and who values the good in all of us.

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a window at Duke University Divinity School
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a stained glass window at Duke University seminary.

My MOOC

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I have been taking a MOOC, a massive open online course, offered by MIT Media Lab. Every Monday morning, along with, like, 24,000 people, I listen to a lecture and chat on a back channel about creativity.

Last week, Alan Kay, one of the founders of the personal computer, was a guest lecturer.

The subject of that class was BIG ideas.

On a Google Plus side conversation, I went off on a tangent and found this link Steven Johnson: Where good ideas come from.

“An idea is a network,” Johnson said. And this: “Chance favors the connected mind.”

I love that MOOCs spark serendipity and digressions. MOOCs are a means to an end but they are not the end. MOOCs also must ignite  real life encounters.

I dig Johnson’s TED talk for he values the coffee house vibe and the slow brewing nature of good ideas. Good ideas are not a sudden AHA! Good ideas slow cook. Good ideas need many cooks to throw in stuff for the soup.

Good ideas need to get together, face to face, to ferment. I signed up for this MIT media lab with Mitchel Resnick because a real life friend Emily Miller recommended it. Honestly, I’d probably get even more out of it if I met people face to face to discuss the big ideas.

In my own way, I am doing that, trying to make IRL face time creative ideas happen. I’m putting together a slew of writing workshops and weekend retreats.

My next afternoon workshop is The Story of Your Life in Jamaica Plain, Boston, on Sunday, March 24th, 1 to 4:30 pm. ($25 registration fee goes to the food pantry.)

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P.S. Here are a couple of pics of my afterschool creativity students. They took on a project I learned about on the MOOC —  the spaghetti challenge!

Given 20 pieces of spaghetti, a bit of tape, and a bit of string, how tall could they make their structure and top it off with the marshmallow? You can see how kids feel pride when they make stuff and are encouraged to be creative and playful.

And you can see how the girls won the challenge! Girl power!

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