A Night With Janis

I don’t really remember Janis Joplin. She was a little before my time.

I was more of a Carly Simon girl. But I love girl rock – like Pink, Joan Jett, Adele. Janis was the first, a trail-blazer, a Texan, a woman who told it like it was.

I felt like I made a friend at the Lyceum Theatre the other night.

Mary Bridget Davies played Janis with an uncanny likeness. She has an extraordinary voice. I did worry about her. How can she do that gravely rocker girl scream and not lose her voice?

As a performer, Davies held nothing back. She gave it all. And this is the beauty of Janis, I learned. She had an unbridled passion.

Almost every other number featured one of the amazing performers who were also the back up singers — Taprena Michelle Augustine, De’Adre Aziza, Allison Blackwell and Nikki Kimbrough. They were divas in their own rights. In that order, they played Bessie Smith, Nina Simone, Aretha Franklin and Etta James.

This is the second musical I’ve seen in a few months that has featured Nina Simone as a kind of guardian angel character. I’m getting to think she deserves her own musical. The other musical with Simone was Soul Doctor, the story of Rebbe Schlomo Carlebach, a Jewish recording artist, from the 1960s, who professed and lived a life devoted to love and God. That musical, like this one, was about a ’60s cult figure. But that musical had a narrative arc; this musical was a straight up rock concert.

And like a concert, the audience was key. The artists totally communicated.

So many songs brought the crowd to their feet. My favorite was Piece of My Heart. God, that song is brutal. Janis truly seemed to give a piece of herself. You do wonder if that is healthy, especially given the rocker’s early death. Such a loss. Because I bet Janis would’ve loved to see the evolution of girl rock into woman rock.

And selfishly, I wish Janis Joplin didn’t die, because I made a friend that night, and I’d like to see her again sometime.

Disclaimer: Thanks to A Night With Janis and Serino/Coyne for the tickets. The opinions on this blog are always my own.

Thanks to Joan Marcus for the pics of the performance. That picture of the curtain? Yup, that first one is mine!

20131023-150646.jpg

20131023-151134.jpg

20131023-151201.jpg

Soul Doctor

soul doctorI love religion, hippies, and men who cry easily. So how can I not recommend this new musical Soul Doctor?

This musical has many themes – it’s a coming-of-age parable and an unlikely friendship between Nina Simone and Rabbi Shlomo Carlebach. The Rabbi became a blockbuster recording artist in the 1960s. Incidentally, a synagogue named for him is in my Upper West Side neighborhood.

The show leaves you on such a great high. I felt we, the audience and actors, should end the evening with a group hug. Or together, we could all sing Hava Nagila or Shalom, My Friend — the only Hebrew songs I know.

I am not Jewish but I still enjoyed the spirit of unconditional love in this show.

But I have a few thoughts of how I might tweak this show before it comes to Broadway. Oh, wait! It’s on Broadway. Here are my thoughts any way.

Schlomo, at the end, comes to value his father’s gentle leadership, but what about his mother? Surely, she must’ve been more than a stereotypical small-minded immigrant to have instilled in Shlomo such a deep commitment to love and kindness and warmth for his fellow human beings.

Another thing — when Schlomo and Nina meet, they compare the sufferings of their tribes. This is never a good conversation. Hello! I’m Irish. I don’t think it’s ever productive to brag about or base our identities on our collective victimhood. Instead, let’s talk about the resilience and the perseverance of our peoples. Let’s sing, dance, write poetry (and blogs) and rise above the inevitable suffering with a daily dose of joy — which, mostly this musical does.

After the show, my husband and I met the talented Amber Iman. She played Shlomo’s bestie Nina Simone. She disarmed us with her wisdom and love!

The singing and acting was lovely. I loved Eric Anderson as Shlomo (and yes, wanted to hug him!). He was like the original Hugging Saint Amma. I am a huge fan of hugging. My husband fell in love with Amber Iman (and probably wanted to hug her). She played Nina Simone, like Shlomo, a person of great talent and great warmth for her fellow human beings.

Their relationship was interesting — it transcended a Hollywood narrative. It is charming and disarming when a man and a woman are great friends and artistic supporters of one another without being romantic partners. Artists, like singers and writers, require a lot of encouraging friends. (Thus, my Life Rule #1 Pile on the People.)

I was inspire20130816-122217.jpgd by Shlomo’s deep commitment to young people and social justice.

The musical is at Circle in the Square Theatre, 1633 Broadway (on 50th St. between Broadway and 8th). The last show in that theater was Godspell which my kids loved. Same story, different religion. Give love. Give yourself to others unconditionally.

For more info, check out www.SoulDoctorBroadway.com

Thanks, Culture Mom Media for the tickets to Soul Doctor. All thoughts are my own.