Tomorrow’s the Big Day

I’m going to be performing in front of hundreds of people at the Listen To Your Mother show in NYC, 5 pm, Sunday, 5/12, at Symphony Space on Broadway at 95th.

listenI gotta tell you, I’m very nervous.

One part of me knows I’ll be great.

Another part of me feels like apologizing for my story in the show — it’s a small story about a small moment. It’s nothing big, nothing earth-shattering, nothing out of the ordinary. Sure, I could’ve plumbed the depths of my soul (could I?); instead, I chose a story about taking out the trash with my surly teen.

So I’m inclined to say, “Awww, P’shaw! My story? Me? We’re not that important.”

But wait! I must remember my advice to myself. When I used to do stand up, right before I went on, while nursing a diet coke at the bar, I’d psyche myself up by telling myself these three things:

  1. Be yourself
  2. Have fun
  3. It is important

These three rules seemed to make a positive difference in my performance. Also, I received precious advice from Eddie Brill who told me, way back when: “Never apologize in your stand up act!” That was great advice! It turns out that audiences don’t trust or appreciate apologists!

The truth is that I love the truth. I love hearing truths about motherhood — good, bad, and indifferent truths. Extraordinary and ordinary truths.

I love that I am someone who loves the truth. Because too much of my mothering and my life is spent putting up a good appearance and trying to keep up with the Joneses 🙂

So the fact that I am invited to tell my truth along with a bunch of other truth-tellers, well, it’s just icing on the cake of my life.

Lintault quilt
When I saw this quilt, I thought it was as beautiful as any Michelangelo oil painting. I saw the quilt by Joan Lintault at the Shelburne Museum in Vermont.

Do I think the other writers have bigger truths? Maybe. But it’s not a competition. It’s a collaboration. And each square of the quilt makes for a beautiful pattern. Some of fabric is flowery, some plaid, some embroidered, some plain. Each story, each piece, makes up this crazy quilt.

When we tell our stories, we make room for even more truth. And, as the saying goes, the truth will set you free.

This Listen To Your Mother show is not a  show for or about perfect mothers. It is not about pretty mothers like Stepford wives. If you’re looking for that, look in the Mother’s Day aisle for a Hallmark card. (Although I’m pretty sure Hallmarks’s marketing strategy has turned towards a more honest appraisal of motherhood as well.)

In this show we laugh and cry over our real truths. And in these truths, the writers have made art, found freedom, and even, perhaps, woven together a new kind of patchwork quilt, more beautiful together than we could ever have been on our own.

I am honored to bring my piece to the show.

I am just going to show up; have fun; be myself; and remember, it IS important.

This post was inspired by the the daily post prompt: “We each have many types of love …Is there a single idea or definition that runs through all the varieties of ‘love’?”

Thanks to director Amy Wilson, producers Varda Steinhardt and Holly Rosen Fink, and assistant director Shari Simpson for weaving me into the show.

And thanks to the rest of the cast, truth-tellers and artists all: Barbara Patrick, DeBorah “Momma D” Gray, Jaime Fernandez, Kim FordeKizz Robinson, Laura Pruden, Marinka, Nicole Goodwin, Nivea CastroRebecca Land Soodak,Sandy Rustin, Sasha Schreiner, Shari SimpsonSofia QuinteroStacy Morrison, Susan Buttenwieser,Tracy Beckerman, and Virginia Watkins.

Peter and the Starcatcher

When our daughters were little, they always wanted to hear a bedNIGHT story. Of course, they meant a bedTIME story but I dared not correct them. It was one of their charming childhood malapropisms. Chris and I would tell them stories until they entered the magic of their dreams.

(courtesy of Peter and the Starcatcher)
(courtesy of Peter and the Starcatcher)

And if you are like them — and like me and Chris — sometimes still, you want and need a good new bednight story, and so I suggest, little one, that you take yourself to see Peter and the Starcatcher. (Though for some reason I keep calling it Peter and the Dreamcatcher! A penchant for malapropisms may be genetic!)

Whatever you call it — Oh. So. Good.

I was bummed when it closed on Broadway. More than a few of my friends told me that I’d like it. But it’s not always easy for me to get to see everything I want in New York City. Though God knows, I try.

Once in a while, I get a reprieve. While it closed on Broadway in January, it reopened a few blocks away in at New World Stages with much of the same cast and in the same amazing production.

Score.

I don’t know how to summarize the show’s many themes — It is about how to grow up; how children are wiser than adults; how believing in one another is never wrong; how music and comedy make magic; how letting go is part of what you do when you love.

Children can fly (one of my darlings at the swimming hole in the Adirondacks).
Children can fly (one of my darlings at the swimming hole in the Adirondacks).

My favorite recurring theme was taught by the girl Molly. Here is her secret to good leadership: a leader looks out for her tribe. Molly taught this to the boy who became Peter. Molly, played by Nicole Lowrance, is the only girl in the show. She’s so good.

Molly has to be sister, friend, love interest, and, of course, mother to the orphan boys.

But she is not the kind of mother or leader who scolds needlessly, (although she does scold).

She is the kind of mother who finds magic in stories. She’s the kind of mother who soothes scared nerves by suggesting a running race. Molly’s a playful leader.

She knows that to save the day, a leader must:

  • be creative
  • be open-minded
  • be brave
  • be empathetic
  • be funny.

I found a new heroine and her name is Molly! Molly is the starcatcher.

The musical shows how theater is a collaborative art. And there are many times when the antics reminded me of the joy of improv comedy, but the show only looks seat-of-the-pants hilarious. The action is all orchestrated. (Brilliant brilliant directors Roger Rees and Alex Timbers! And my old chum Wayne Barker — brilliant, brilliant — did the music! Funny. Funny!)

It’s a physical show where the leads play doors and walls and mermen.

The words are witty and the physical shenanigans are hilarious. At one point I was laughing so hard I was crying. And then at another point, I noticed that Chris was weeping.

I think his tears came from the place of nostalgia for we miss the nights when our darlings were still little enough to climb on our laps and beg for one more bednight story.

Ah well. We can always take them to see this show. And even if you’re not in NYC, you can see it too, as it’s touring this year, starting in August 2013.

The show is at New World Stages, 340 West 50th.

Order tickets at: PeterandtheStarcatcher.com

Related Stories

Girls can be pirates too. Empowering girls.

Sandy’s post about taking her 7-year old son to Peter and the Starcatcher

Diane’s post and a backstage tour!

Thanks to CultureMomMedia.com for the tickets. All thoughts (and memories of bednight stories) are my own. 

My MOOC

I have been taking a MOOC, a massive open online course, offered by MIT Media Lab. Every Monday morning, along with, like, 24,000 people, I listen to a lecture and chat on a back channel about creativity.

Last week, Alan Kay, one of the founders of the personal computer, was a guest lecturer.

The subject of that class was BIG ideas.

On a Google Plus side conversation, I went off on a tangent and found this link Steven Johnson: Where good ideas come from.

“An idea is a network,” Johnson said. And this: “Chance favors the connected mind.”

I love that MOOCs spark serendipity and digressions. MOOCs are a means to an end but they are not the end. MOOCs also must ignite  real life encounters.

I dig Johnson’s TED talk for he values the coffee house vibe and the slow brewing nature of good ideas. Good ideas are not a sudden AHA! Good ideas slow cook. Good ideas need many cooks to throw in stuff for the soup.

Good ideas need to get together, face to face, to ferment. I signed up for this MIT media lab with Mitchel Resnick because a real life friend Emily Miller recommended it. Honestly, I’d probably get even more out of it if I met people face to face to discuss the big ideas.

In my own way, I am doing that, trying to make IRL face time creative ideas happen. I’m putting together a slew of writing workshops and weekend retreats.

My next afternoon workshop is The Story of Your Life in Jamaica Plain, Boston, on Sunday, March 24th, 1 to 4:30 pm. ($25 registration fee goes to the food pantry.)

P.S. Here are a couple of pics of my afterschool creativity students. They took on a project I learned about on the MOOC —  the spaghetti challenge!

Given 20 pieces of spaghetti, a bit of tape, and a bit of string, how tall could they make their structure and top it off with the marshmallow? You can see how kids feel pride when they make stuff and are encouraged to be creative and playful.

And you can see how the girls won the challenge! Girl power!

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our backyard tree

I loved climbing the tree to my platform. You climbed up three bricks of wood nailed into the trunk to get to the spot. I think one of my brothers and my father had nailed that platform into the V-shaped gap about 12 feet up. I sat on a two-foot by two-foot piece of wood, my platform.

To be an artist or a writer, I’ve wondered if it’s necessary to be an outsider.

This is Central Park a couple of weeks ago after the beautiful snow storm. There is nothing so beautiful as Central Park after it snows.
This is Central Park a couple of weeks ago after the beautiful snow storm. There is nothing so beautiful as Central Park after it snows. (It doesn’t have to do with the post, but isn’t it pretty?)

From the platform in the tree, I could be on the margins of our big suburban house, not far from the action. But far enough away to be alone.

Having three brothers, all around my age, I was the only girl for many years, I was, at times, lonely, different, misunderstood.

There was no way a tree could misunderstand me. The tree was simply a tree, asking for nothing. I appreciated the non-judgmental nature of a tree.

I had sinus headaches regularly. The pediatrician took pinpricks on my arm weekly, until he, a George Castanza kind of guy, determined that I was allergic to mold and dust; trees and grass. I was especially allergic to Oak and Elm, the two kinds of trees in our suburban Chicago yard.

I rarely climbed the backyard tree as I got older and started high school. Instead, I hung out in the kitchen of our next-door neighbor Mrs. Zimmer. She administered my weekly allergy shots. We talked a lot. I felt understood. I remember once we talked about Zoroastrianism.

I liked our backyard tree; I liked my adult friend; I liked relief from my sinus headaches.

Wrote and Directed a Short Comedy Film

We shot our short comedy film last Wednesday night for the February 2, Iron Mule Festival. The title, Spork Wars, was shouted from the audience. A spork, of course, is a spoon and fork.

Spork Wars is a silly story of a spork salesman, played by Michael Martin, who tries to sell sporks and connect with diner owner, Jay Fortunato, only to discover a familial bond from the old country.

While I had hoped the shoot would take an hour, it took three.

The secrets of my recent filmmaking productivity?

1. a deadline.. there is nothing better than having to finish something by a drop-dead date. A deadline is a line in the sand and I’m pretty good about not crossing.

2. a crew… one of my seven secrets to success is to “Pile on the People.” In filmmaking, you get to work with awesome, funny, creative people. It’s been superfun to make new friends, like Ryan Decker, Ali Mao, Michael Martin, as well as work with old friends, like Pat Bishow and Jay Fortunato!

Don't you love a good diner? Gee Whiz Diner!
Don’t you love a good diner? Gee Whiz Diner!

3. a location… The peeps at the Gee Whiz Diner were super-nice. And in exchange for free use of their lovely diner space, I promised to promote them! They are located on 295 Greenwich Street, right near the Chambers Street subway. Try the Greek salad.

4. a sense of humor (and flexibility)… Of course I wanted my actors to speak the lines exactly as I wrote them. But Jay and Michael are improv geniuses. Naturally, they strayed. It was cool. In fact, I was laughing so hard, especially at their improved bit about gyros, that I feared my convulsive laughter would ruin the sound track.

5. a letting go… I really don’t know what the credits should look like or how the background music should sound. I forget to call, “Action!” I don’t know all the filmmaking nomenclature, but I did my best. And done is always better than perfect. And very good is a nice place to start.

Alison sent me the RC (rough cut!) last night. And I have to admit, I found it pretty funny. I showed it to my 15-year old who chuckled, which is a pretty good response from a 15-year old.

Let me know what you think. Come to The Iron Mule Short Comedy Film Festival, 8 pm on Saturday night, February 2.

I won’t be there. I’ll be in in Charlotte, NC, co-leading a memoir writing workshop with Ms. Cynthia Sloan. If you’re nearby, please join us. When she and I get together, there’s always laughter (and tears)! There’s still room for a few more at the story of your life, memoir.

the path less taken

When we thought up the idea for Writers Boot Camp.

We came up with the business only a few months ago and already we’ve hosted a few workshops and a writing weekend.

meandering

We took the noncomformist path.

Kelly and I started our business, Boot Camp For Writers because I went off track.

I was in Portland with my work for United Methodist Women. I was early to my meeting. I rented a car and drove to visit another friend named Kelly in Eugene.

Since I was early I could meander. (Note to self: be early!). On the side of the highway, I spotted a sign that said Old West Museum in Brownsville. I took that country road.

I knew it was sort of crazy to leave the direct path laid out for me by the GPS. But I thought, “Heck, I’m so rarely someone who can meander.” Besides, I was in a great western state where, almost two hundred years ago, people traveled the Oregon Trail.

A detour in Oregon.

The museum was closed but I snapped a couple of pictures, posting them to Twitter and Instagram. Kelly @kellythewriter1 replied back, “Brownsville! You are in the boonies.”

I vaguely knew Kelly as a writer. I looked up her writing. I saw a section of her amazing memoir, The Trial.

We exchanged some Twitter messages and agreed to meet a few days later in Portland to talk about writing.

After my day at Powell’s bookstore, we met in a hip neighborhood, the Southeast part of Portland. (Isn’t it all hip?).

We sat at a cafe then walked around.

Kelly asked me if I remembered how I knew her, “Um, no,” I admitted.

“We were at the IWGG weekend together last year,” Kelly said. Kelly always gets the acronym wrong and that cracks me up.

“Oh, right!” I laughed. “The International Women’s Writing Guild.” (the IWWG!) We’d met at their fall workshop and luncheon at the National Arts Club.

Kelly and I gossiped about the changes that the guild was going through.

We agreed it would be fun to start our own writing guild. We’d gear it towards helping writers get published. We’d help writers get serious about and value their work. And we are!

Although our writing workshops are intended to get writers focused, our business started because, less than four months ago, I intentionally lost my way. I took the path less traveled. And by posting the story of my journey on social media (and here on my blog), I am finding my way.

Adirondack Writing Weekend Recap

Kathryn Cramer, one of the workshop leaders called our writing weekend, “an unqualified success.” And George Davis, another leader, made this awesome video:

As you can see, we wrote, we ate, we talked, we wrote, we did yoga, we walked, we ate, and we wrote a little more.

Writers working at the Adirondack weekend retreat.

On the last day of the weekend we started writing with a prompt that began, “I weathered the storm when I…”

I weathered the storm of hosting my first writing weekend. Turns out the hardest part was not the weekend, but getting home again.

It took me a couple of days to get back to New York City from the Adirondacks due to the storm known as Sandy. My Amtrak was cancelled and I relied on friends to give me lifts along the way. (I began writing this post yesterday from a comfy Holiday Inn, half-way home in Albany. I admit I enjoyed my enforced solitude, a menage a moi!)

During the storm, my fam and I stayed in constant digital contact. On the Upper West Side, we never lost electricity. But there is no replacement for real life hugging. And real life writing. And real life family.

Joanna Parson, Kathryn Cramer, Mary Beth Coudal, workshop leaders for the writing weekend

I’m totally grateful to the family and friends (and small businesses) who helped make the writing weekend happen. While holed up in the Albany hotel yesterday, I wrote a letter to the editor thanking everyone (I hope!) who had a part.

To the editor:

In this political season, there has been a lot of talk about which political party helps small businesses the most.

After my first foray as a small business owner hosting a writing weekend in Westport, New York, I believe that no party helps a small business as much as the party of other small businesses.

Thanks to the Westport, Wadhams and Essex small business communities who fed the bodies, minds and spirits of a dozen

George Davis led a workshop on storytelling in the digital age.

writers last weekend.

Special thanks for catering to Carolyn Ware at Ernie’s for lunches of sandwiches and chili; to David and Cynthia Johnston at DaCy Meadow Farm for a quiche brunch; to Janice Hainer at Everybody’s for the groceries; to Jim and Jayne Vance at Westport Hotel and Tavern for our cozy first night’s dinner together; and to Dogwood Bakery for the artisan pizza. We’re lucky to have such tasty options. The writers loved the local foods!

Beyond the nourishment of feeding our bodies, the weekend fed our spirits. We paused to breathe, thanks to Michelle Bartz Maron at Lake Champlain Yoga Arts @ Live Well. A morning stretch allowed us to stretch as writers throughout the day.

Kathryn Cramer explains it.

The writing workshop teachers, storytellers George Davis of Essex, Kathryn Cramer of Dragon Press Bookstore in Westport, Ted Cornell at Crooked Brook Studio in Westport and Joanna Parson of Letter Perfect in New York led the writers to hone the art and craft of writing stories from real life.

Thanks to artistic director Shami McCormick of the Depot Theatre and to teacher Shoshi Satloff for their support and to the entire Jones family for the setting of Skenewood, a magical place for a writing weekend.

To reach an audience of writers for the weekend, I must thank Nathalie Thill of the Adirondack Center for Writing in Saranac Lake and Valley News columnist Colin Wells for spreading the word.

This memoir writing weekend was my maiden voyage as a small business owner. I felt lucky to set sail and discover land in Westport, New York. Because of the work of small businesses, artists and teachers in Westport’s midst, the writers at Skenewood had a meaningful and fun time at our first Adirondack Memoir Retreat.

Sincerely,

Mary Beth Coudal

Writers talking about writing at the Adirondack Memoir Retreat. (l. to r., Joanna Parson, Alex Speredelozzi, George Davis, Beckie O’Neill)

My biggest thanks go to the noble writers who attended the weekend, willing to depart on a voyage in uncharted territories.

The art of memoir requires risk, as does the art of making a writing weekend happen.

My business coach, the awesome Mandy Gresh, was the first to call this writing weekend “my maiden voyage.” I like that.

We hiked on an Adirondack road.

Turns out the journey through the woods and into the writing weekend was not as fearful a journey as it could’ve been. (Though the weather in New York City was more treacherous.)

We’re tentatively planning another Adirondack weekend retreat for Artists and Writers: Talking about Setting from May 16 to 19, 2013.

Stay tuned to our website at Boot Camp For Writers for updates on writing workshops and weekends in Portland, OR and New York, NY.  Which reminds me of two last thank you’s.

The dock at Skenewood.

Thanks to our Boot Camp web developer Felicity Fields. And special thanks to my Boot Camp biz partner, Kelly Wallace.

When I came up with the idea for the weekend, Kelly said, “Oh, yes! Good idea!” It was!

Writing as a Practice

I make writing my spiritual practice. It takes practice.

Winding down my work days at my day job and gearing up for my new small biz, I have let my blogging slide. I want to get back into the practice.

Also, let’s face it, the Olympics are on. I watch these athletes every night. I see effortless skill and human perfection. It looks like magic. But to get into these games, they have spent at least ten thousand hours practicing.

Practice is such a boring word and is such a boring idea. It seems to bear no fruit. It reminds me of those few piano lessons I had in second grade, sitting there in our front room in Skokie, Illinois. No one to hear me or encourage me as I pounded out my drills and scales.

And it all amounted to nothing. I did not seem to get better. I still can’t play the piano. Truth be told, I spent way more time avoiding practice than practicing. I loved kickball better.

But wait, there were a few moments of fun. I remember goofing off on the piano by myself, figuring out how to play Raindrops Keep Falling on My Head, not by reading the music, but by hearing the tune I loved in my head and playing it. Just playing around.

I guess if practice requires some kind of play, some kind of goofing around, it is not deadly boring. Practice, then, becomes a discovery and not a rote memory.

Practice becomes a journey, a way to pole vault you from one side of the hurdle to another.

I may never make it to the Olympics of writing, but I will practice any way. For in the art of practice, there is gold.

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This was the back of a tee shirt at the United Methodist Ubuntu Day of Service, working at the Tierra Negra Farm in Durham, NC.

Starting Anew

Elaeocarpus holopetalus - Mount Imlay Rainforest
Elaeocarpus holopetalus – Mount Imlay Rainforest (Photo credit: Poytr)

I have loved my job for so many reasons for so many years. Just because you love someone or something doesn’t mean you shouldn’t let it go. Like parenting. My kids want to go to camp or on school trips. I love them but let them go.

Without going into all the deets, my workplace has offered a voluntary severance package to everyone. And I’m taking it (effective within the next couple of months).

Sometimes work grows around you like a vine in a tropical rain forest, hitting the top layer and you’re still on the forest floor. Or sometimes work’s part of the undergrowth. And you’re reaching for the sky.

According to the internet, (which we all know is NEVER wrong!) there are four layers to the rain forest (and these coincide with where we are on any given day):

photo courtesy of http://mrsgebauer.com/rainforestweb/WebQuest.htm
  • the emergent layer
  • the canopy
  • the understory
  • the forest floor

I think the point of life is to grow wherever you are. Life is only about growth. Or maybe the pursuit of happiness. That’s all.

And I need to grow. And pursue my happiness. We all do.

To such an end I’m starting some projects such as offering a querying and getting published workshop in New York on August 16 in partnership with Kelly Wallace who’s offering the workshop in Portland on August 18. We’re working on the website. We’re onto something.

We’re on the forest floor or the emergent layer, continuing to grow, starting anew.

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Sibling Rivalry

I have complained about how my kids bicker too much. It is so annoying. They can be so mean to one another and to me. And I know deep down we all love one another.

The other day H. and I were bickering at the bookstore. He needs his summer reading books, 1984 and the God of Small Things. I said the version didn’t matter, he said he must have the exact, specified version. I had a get-it-done attitude; he had a wait-and-see attitude.

I was embarrassed when another mom friend, L., interrupted our disagreement just to say hello.

“Oh, sorry, we were just fighting,” I explained. “We fight a lot.”

“Fighting’s good,” she said. L’s a teacher and I believe her. Respectful disagreement is healthy.

One of my favorite phrases in an argument, and one that I always hope is a closer, is, “Let’s agree to disagree.”

I realized that my desire for my kids to never fight, bicker, or disagree puts undue pressure on them. Maybe even my attempts to squash their sibling rivalry somehow escalates their fighting. As if they unconsciously realize, “Great, now Mom’s in the fight, too. Let’s fully commit to this argument.” And then the yelling escalates.

At times, I do flip out. “Don’t you realize your arguing creates an impact! We are kind, loving parents. You are not being kind and loving!” The kids are too competitive. Or maybe they simply can’t help being mean, like when they point out one another’s pimples. I can’t figure it out.

I show exasperation.

And sometimes having a human and impatient response pays off. Recently after my kids were in a yelling match, my son went to play ball. On his way home, he phoned me. “Mom, I’m passing the grocery store. Do we need anything?”

I was shocked. “Yes, we need juice and milk.” I was totally pleased. And yesterday, the kids did pitch in and tidy up the apartment, even as they fought about how little the other person was doing, and how much they were doing. (See what I mean? Competitive!)

I had set the timer for 10 minutes. I said, “That’s all you have to do! Ten minutes.” But  an hour later, H. was still working, hammering loose cords into the molding.

Small victories. But I’ll take them. And I’ll take the fighting because I have no choice. I do have a choice in my response to their sibling rivalry. I will not let it get to me.

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