Underlying Mandy’s meanness (she called her attitude mean, not me) is this: I am way too nice. I am hardly making any money in this writing or teaching biz.

And it’s been almost nine months since I left my full time job as staff writer. It’s about time I give birth to a moneymaker.

I’m in the white jeans in the Listen To Your Mother NYC show. (photo by Ingrid Tarjan)

I got mad at Mandy. I told her, “Look I have had some huge successes lately. Huge. Out of the ballpark home runs. Like on Sunday,  I performed with 14 other writers at the Listen To Your Mother show to a crowd of like 500 at Symphony Space for a Mother’s Day show.

“I not only rocked the house with my writing, but I’m still getting emails about how natural and funny my performance was.” I know I sounded defensive.

Thanks DeBorah Gray for this photo from the performance of Listen To Your Mother.

I listed all these other accomplishments I’ve had within the last few months:

• Last month I presented at a conference to well over a hundred interfaith communicators at the annual meeting of the RCC (Religion Communicators Council) in Indianapolis
• I led a blogging workshop for the Indiana Writers Center
• I’ve taught memoir workshops at churches
• I’ve written P.R. and marketing copy
• I’ve written several articles for response magazine
• I took an online course at MIT
• I’ve been teaching creativity at the Computer School every week
•  Out of like 160 people, I was chosen to lead a workshop at the IWWG (International Women’s Writing Guild) summer conference at Drew University this August.

So, yes, I’ve been busy. And it’s true. I give myself and my biz away. “I may not be making much money. But I’m making writers,” I told Mandy. And yes, that did sound pathetic.

It’s also true that Mandy called me out on my weekly goal to pitch more of my writing to magazines and paying venues. I want to do it, but I don’t.

Dang, there’s only one thing that would be more uncomfortable than listening to myself explain to Mandy how I could be working so hard and still not making any money. And that would be giving up this writing, coaching, and teaching business that I love and making money at something I don’t love.

The Daily Post: Unconventional Love Prompt

I gotta tell you, I’m very nervous.

One part of me knows I’ll be great.

Another part of me feels like apologizing for my story in the show — it’s a small story about a small moment. It’s nothing big, nothing earth-shattering, nothing out of the ordinary. Sure, I could’ve plumbed the depths of my soul (could I?); instead, I chose a story about taking out the trash with my surly teen.

So I’m inclined to say, “Awww, P’shaw! My story? Me? We’re not that important.”

But wait! I must remember my advice to myself. When I used to do stand up, right before I went on, while nursing a diet coke at the bar, I’d psyche myself up by telling myself these three things:

1. Be yourself
2. Have fun
3. It is important

These three rules seemed to make a positive difference in my performance. Also, I received precious advice from Eddie Brill who told me, way back when: “Never apologize in your stand up act!” That was great advice! It turns out that audiences don’t trust or appreciate apologists!

The truth is that I love the truth. I love hearing truths about motherhood — good, bad, and indifferent truths. Extraordinary and ordinary truths.

I love that I am someone who loves the truth. Because too much of my mothering and my life is spent putting up a good appearance and trying to keep up with the Joneses

So the fact that I am invited to tell my truth along with a bunch of other truth-tellers, well, it’s just icing on the cake of my life.

When I saw this quilt, I thought it was as beautiful as any Michelangelo oil painting. I saw the quilt by Joan Lintault at the Shelburne Museum in Vermont.

Do I think the other writers have bigger truths? Maybe. But it’s not a competition. It’s a collaboration. And each square of the quilt makes for a beautiful pattern. Some of fabric is flowery, some plaid, some embroidered, some plain. Each story, each piece, makes up this crazy quilt.

When we tell our stories, we make room for even more truth. And, as the saying goes, the truth will set you free.

This Listen To Your Mother show is not a  show for or about perfect mothers. It is not about pretty mothers like Stepford wives. If you’re looking for that, look in the Mother’s Day aisle for a Hallmark card. (Although I’m pretty sure Hallmarks’s marketing strategy has turned towards a more honest appraisal of motherhood as well.)

In this show we laugh and cry over our real truths. And in these truths, the writers have made art, found freedom, and even, perhaps, woven together a new kind of patchwork quilt, more beautiful together than we could ever have been on our own.

I am honored to bring my piece to the show.

I am just going to show up; have fun; be myself; and remember, it IS important.

This post was inspired by the the daily post prompt: “We each have many types of love …Is there a single idea or definition that runs through all the varieties of ‘love’?”

Thanks to director Amy Wilson, producers Varda Steinhardt and Holly Rosen Fink, and assistant director Shari Simpson for weaving me into the show.

And thanks to the rest of the cast, truth-tellers and artists all: Barbara Patrick, DeBorah “Momma D” Gray, Jaime Fernandez, Kim Forde, Kizz Robinson, Laura Pruden, Marinka, Nicole Goodwin, Nivea Castro, Rebecca Land Soodak,Sandy Rustin, Sasha Schreiner, Shari Simpson, Sofia Quintero, Stacy Morrison, Susan Buttenwieser,Tracy Beckerman, and Virginia Watkins.

Related articles

• Meg in Progress blog
• Listen To Your Mother in Austin show

Maybe I lacked confidence or maybe I was slightly more quirky than super model-y. It didn’t matter, I told myself. I’m a writer first and I’ve got meaningful work. Besides that, in my mid-30s, I hit my stride when I discovered my life’s purpose: to be a mother to Hayden, Charlotte and Catherine.

So last year, when my Aunt Ellen, (the poet Ellen Wade Beals) recommended that I audition for the Listen To Your Mother show, I figured maybe now I’ve got a shot. I’m wiser and more confident. I’ve got a lot of funny essays about parenting. I can do this.

At the audition last year, I read a really good piece of writing — a story about dropping Hayden off at Camp Dudley. My essay was so funny and touching. (See what I mean: I have more confidence.)

When I read the Camp Dudley essay to the several women who were holding the auditions, I detected one (Holly, maybe?) had a tear in her eye.

“I nailed it,” I thought. “I’ve got it! I might still be a successful performer as well as mother, blogger, wife, sister, teacher, worker, etc. Wow! It’s great to be alive!”

But I didn’t get it last year — despite the excrutiating beauty of that little gem of writing. So this year, when I got an email alert about the 2013 auditions for Listen To Your Mother, I brought in a piece of writing, slightly above average, about a tricky little bit of mothering and taking out the garbage with my son.

I was the last to audition. There were dozens of people who’d gone through the audition door ahead of me that Sunday afternoon.

Through the door, I could tell that the guy in the room just before me was really really good. I sat outside, getting nervous. The room was full of laughter as he left.

I recognized the women behind the table from last year, including Holly. But I felt no ill will towards them, just my inevitable lack of success.

I felt insecure. I think I made small talk, something like, “Wow! That guy who was just in here sounded really funny! I don’t know if you remember me. I auditioned last year and I heard the show was really good!”

Me and Kim Forde listening to rehearsal the other night (photo by fellow cast member Elizabeth Robinson).

I read my piece, stumbling in a few places. I did not feel confident as I walked out the door. After all, the year before, when I had felt confident? Nada.

So I was surprised, no, I was ecstatic, when, like a week later, I got a call from Amy that I was invited to be in the cast.

I don’t know if my piece is any good, but the show is really really good. And that guy who went in ahead of me, Jamie Fernandez, he’s in the show too and he is really really funny. The brief stories about mothering and mothers are funny, sad, scary, true, and lovely.

But don’t listen to me. I am not a good judge of my own writing. This Sunday, Mother’s Day, come to Symphony Space. Tell me what you think. We’ll have a drink at the Thalia.

Now is your chance to: Listen To Your Mother at Symphony Space

Come see the show! May 12, 2013 at 5pm! ($25/$30)

NYC tickets support this cause: Family to Family

• It’s Almost Time to Listen to Your Mother (blogher.com)
• The Mother of All Blogging (taleasofasierramadre.com)
• Kim Forde’s blog
• Elizabeth Robinson’s blog (and more pics from rehearsal!)
• NYC Producer Holly Rosen Fink (with giveaway)

• 2012 NYC cast member, Estelle Sobel Erasmus (another giveaway)
• Our director, Amy Wilson 
• Our co-director, Shari Simpson 

• An interview with cast member, Barbara Shriever Patrick
• Giveaway by Onica at Mommy Factor
• Giveaway by Kim Bongiorno
• 2012 cast member, Ilana, of Mommy Shorts is doing a brilliant photo challenge with a book giveaway and some tix to LTYM. You have to gocheck this out.
• Another giveaway by KiwiCanadian at Mama Goes BAM
• Couple more tickets up for grabs at Old School/New School Mom

And thanks Elizabeth for getting this list of links together!

There were many people walking their bikes up the eternal incline. But not me, because we borrowed our awesome friends’ road bikes and my bike had a will of its own and the wheels just kept turning.

But during those grueling moments of riding uphill, that’s when I thought, “I’m suffering alone.” Surrounded by 30,000 other riders, still, I felt alone. Suffering makes you feel all alone. As if you will never reach the top. Fortunately, my son waited for me some ways ahead. I was not alone.

The coast down was pretty sweet. And we did it very fast together, whizzing by the signs the volunteers held that said, “Slow down!”

We enjoyed the finish and the festival and the ferry ride from Staten Island.

That’s me and Hayden when we were returning to Manhattan from the ferry. This was taken only a few minutes before Hayden fell asleep like the rider behind us.

We were still pretty chipper at the Queensboro Bridge.

At the Brooklyn Rest stop. So nice!

I discovered it’s hard to take a pic while bike riding.

Thanks, Dara and David, for letting us borrow these sweet rides!

Waiting to board the ferry

We liked getting all the free samples at the rest stops. I especially enjoyed the sample grilled cheese. And Hayden liked the Red Bull.

There’s no place prettier to bike than Central Park.

I did the 5 Boro Bike Tour in 2011 too. I didn’t do it last year because I didn’t sign up in time, even though I was going to join the Team Fox and raise money for Parkinson’s Research.

Next time I do the bike tour, I have to remind myself not to suffer. I have to remember that eventually the path will lead downhill.

I would like to write more about the bike tour, but, honestly, I’m ex-haust-ed. I have to go to sleep.

other cool posts: DIY cycling

bike new york

(courtesy of Peter and the Starcatcher)

And if you are like them — and like me and Chris — sometimes still, you want and need a good new bednight story, and so I suggest, little one, that you take yourself to see Peter and the Starcatcher. (Though for some reason I keep calling it Peter and the Dreamcatcher! A penchant for malapropisms may be genetic!)

Whatever you call it — Oh. So. Good.

I was bummed when it closed on Broadway. More than a few of my friends told me that I’d like it. But it’s not always easy for me to get to see everything I want in New York City. Though God knows, I try.

Once in a while, I get a reprieve. While it closed on Broadway in January, it reopened a few blocks away in at New World Stages with much of the same cast and in the same amazing production.

Score.

I don’t know how to summarize the show’s many themes — It is about how to grow up; how children are wiser than adults; how believing in one another is never wrong; how music and comedy make magic; how letting go is part of what you do when you love.

Children can fly (one of my darlings at the swimming hole in the Adirondacks).

My favorite recurring theme was taught by the girl Molly. Here is her secret to good leadership: a leader looks out for her tribe. Molly taught this to the boy who became Peter. Molly, played by Nicole Lowrance, is the only girl in the show. She’s so good.

Molly has to be sister, friend, love interest, and, of course, mother to the orphan boys.

But she is not the kind of mother or leader who scolds needlessly, (although she does scold).

She is the kind of mother who finds magic in stories. She’s the kind of mother who soothes scared nerves by suggesting a running race. Molly’s a playful leader.

She knows that to save the day, a leader must:

• be creative
• be open-minded
• be brave
• be empathetic
• be funny.

I found a new heroine and her name is Molly! Molly is the starcatcher.

The musical shows how theater is a collaborative art. And there are many times when the antics reminded me of the joy of improv comedy, but the show only looks seat-of-the-pants hilarious. The action is all orchestrated. (Brilliant brilliant directors Roger Rees and Alex Timbers! And my old chum Wayne Barker — brilliant, brilliant — did the music! Funny. Funny!)

It’s a physical show where the leads play doors and walls and mermen.

The words are witty and the physical shenanigans are hilarious. At one point I was laughing so hard I was crying. And then at another point, I noticed that Chris was weeping.

I think his tears came from the place of nostalgia for we miss the nights when our darlings were still little enough to climb on our laps and beg for one more bednight story.

Ah well. We can always take them to see this show. And even if you’re not in NYC, you can see it too, as it’s touring this year, starting in August 2013.

The show is at New World Stages, 340 West 50th.

Order tickets at: PeterandtheStarcatcher.com

Related Stories

Girls can be pirates too. Empowering girls.

Sandy’s post about taking her 7-year old son to Peter and the Starcatcher

Diane’s post and a backstage tour!

Thanks to CultureMomMedia.com for the tickets. All thoughts (and memories of bednight stories) are my own. 

I believe that I already have everything I need. I try to know, deep down, that all I want will come to pass. Yesterday I announced that I’m going to lead workshops for the International Women’s Writing Guild summer conference and in May I’ll be performing on Mother’s Day with the Listen To Your Mother Show. These are dreams that have come true for me.

Still, sometimes I think it’d be a heckova lot easier to just get a job and show up every day. And do what’s asked of you and then go home.

Sometimes believing in myself is a lot of work.

Speaking of work, I have a freelance assignment due tomorrow. A small part of me does not want to do it. Okay, a big part.

I like doing what I like doing, promoting my own workshops. (Come to the Adirondacks for a writing and collage art getaway! May 16-19) and my new biz (Am getting my new website up and running.)

I like my own stuff. But once I throw myself into something, even someone else’s something, I get into it. The problem is the throwing myself in. It’s like when you’re standing on the edge of the pool, hesitant to swim. You just have to jump.

About freelancing, here’s my truth — I love accepting a job; I love interviewing people; I like collecting the check. All the middle part, after the interview and before the job’s complete, all the writing and rewriting and fact checking, that’s a pain.

Remembering to take time to imagine. (I was in Central Park on Sunday. So restorative!)

Related articles

• Designing a Freelance Life Part 1: The Brief (designthinking.ideo.com)
• To work or not to work? (chappytwife.com)

When I was 28, I wanted desperately to attend the guild summer conference, then held at Skidmore College, but my ex and I were flat broke. We were living in Inwood. He was unemployed. I was a temp. I was literally so sad that I couldn’t afford a week of writing that I lay in an empty bath tub, fully dressed and cried.

The next year I still couldn’t rub two nickels together, but by then, I was separated from my ex and willing to take risks to pursue my passion for writing.

I threw myself at the mercy of Hannelore Hahn, the founder of the guild, asking her for a scholarship and promising her that someday, as a scholarship recipient myself, I would give a scholarship to a deserving young woman writer like myself.

She agreed. For partial tuition, I happily worked the registration table.

That was, a-hem, more than 20 years ago. Off and on over the years, I’ve been able to attend the summer conference. I’m not quite yet able to give a scholarship, but I am able to give a heckuva workshop. Check back with me in 20 years.

Life’s funny, right?

Attending the guild summer workshop as an instructor is worth the wait. I’m just happy this year to be a part of it and not crying alone in the tub. (I hope!)

Check out the announcement about this summer’s conference (and register before May 15 for the lower rate.)

today’s tulips are amazing!

My son’s favorite part  was the moment when Jekyll exploded with emotion at the portrait of himself.  There are projected fireballs which I think probably reminded my son of his favorite date, his Call of Duty Xbox game.

That scene is towards the end of the musical when Jekyll faces his evil incarnation, Hyde. I love stories where psychological aspects of a character or personality are played out. But this musical is not a study in the psychology of multiple personalities, it is a study in singing.

Side note: the young woman in front of us, who we eavesdropped on, was an expert on Jekyll & Hyde productions. (According to the cast whom we met before the show at a swank brunch, these Jekyll & Hyde groupies are called Jekkies (like Trekkies! Funny, no?)) This Jekkie liked the scene better when the actor talked in two voices to himself,  à la Sybil. We liked it this way though. Explosions!

Constantine Mouralis as Dr. Jekyll (See what I mean? He’s Fisher Stevens!) Photo courtesy of Jekyll and Hyde.

Okay, onto the actors! I noticed early on that Constantine Maroulis reminded me of Fisher Stevens and I couldn’t shake that separated-at-birth association. Hey, lots of women found Fisher Stevens sexy, right? Michelle Pfeiffer, for one. I remember seeing Constantine on American Idol, I thought, Wow! This guy can sing! And emote! And woo you with his passion.

And you will think that too, especially when he sings, “This is the moment!” A show stopper! The dude has it, even if, in his Dr. Jekyll character, he does remind you of Fisher Stevens.

So, onto the women.

If the two aspects of a male are kindly doctor and wicked psychopath, the two aspects of a female, are — yes, you guessed it — virgin and whore.

Deborah Cox, a class act, sings “Bring on the Men.” (only slightly uncomfortable to watch with your teenager!) Photo courtesy of Jekyll & Hyde.

However, the two women playing these two archtypes never let their acting or singing stoop to cliche. They were even better than their male counterparts in the arts of  wooing, emoting, singing! Deborah Cox as the good-hearted whore, Lucy, was OMG! She made a cartoon character complex, human, sympathetic. And  Teal Wicks was not a simpleton virgin, but a smart and sophisticated Victorian.

The supporting actors were all delicious. I could eat them up. I especially loved Jason Wooten and Blair Ross. I was sorry when their wicked, wicked ways had to come to an end. My son especially could not stop talking about how the bishop met his fate.

I think there’s something in this show for you, even if you don’t have a teenager or a crush on Fisher Stevens.

Disclaimer: Thanks to Jekyll and Hyde and the Serino/Coyne group for the tickets and the brunch. The opinions on this blog are always my own.

Related articles Jekyll and Hyde

• JEKYLL & HYDE Sweepstakes Day 11: Hot Entry! (broadwayworld.com)
• JEKYLL & HYDE Opens on Broadway Tonight (broadwayworld.com)
• Deborah Cox Struggling To Be Away From Kids During Musical Tour (contactmusic.com)

Laird Mackintosh, Deborah Cox, and my date at Jekyll & Hyde

Jason Wooten and me at the pre-show brunch.

What’s not to love about springtime in the Village? Washington Square Park is looking fine.

Washington Square Park looks better than ever, much better than when I attended NYU. Tulips bloom.

There’s cappuccino at the cafe.

This is inside Caffe Reggio, an 80-year old cafe on MacDougal Street.

And it’s a perfect day to hang out, read, or play chess in the park.

I know it’s natural to catch the contagion of fear. It’s human. I may feel the fear but I won’t let it poison me.

I’ve been here before. After 9/11, I felt the collective fear. At that time, I’d wake in the morning and wonder if it was all a bad dream. Or I’d lay there and just wish that years would pass quickly so that the tragedy would be only a mild ache instead of a a pervasive pain.

And yesterday, I felt that poisoning pain again.

Still. I’m not buying fear. Instead, I’m buying the instinctive hope of the people who rushed to help. I’m buying the hugs and calls of loved ones checking in on each other.

I will always remember the line, blocks and blocks long, of people who wanted to donate blood to Red Cross after 9/11. Millions more people wanted to help than hurt one another.

Healing, like creating, is hard work. It takes a minute to destroy and years to rebuild. Still, I’d rather be in the business of rebuilding: lives, loves, hope.

Living with someone who’s chronically ill, I live with fear and worry. Parkinson’s Disease has challenged my husband, affected his posture, his walking and more. But I’m not going to let Parkinson’s win either. I’m not going to let a fairly inevitable trajectory of decline ruin my hope for him or for my family. Not today. I have hope today that from the ashes come some sort of new life and some inevitable spring.

I am going to hug my darlings close, write, teach, try to make my small corner of the world a little better than I found it. That’s what I’m doing today. And then tomorrow, I’m going to get up and do it all over again.

Because fear doesn’t win. Love wins.

In times of stress, I know I have to:

• Connect with friends and family more
• Work out more
• Do more self care
• Eat and sleep well

How do you cope?

Last month the kids and I visited Cambridge and Boston.